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#1 |
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Join Date: Oct 2005
Location: Alberta, Canada
Posts: 23
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Edit by 57. See post 66 (link below) for the feedback on this issue directly from Astral - they always request OAR and DD5.1.
http://www.digitalhome.ca/forum/show...474#post312474 I was dissapointed to find that Hellboy is airing in HD on MCHD, but not in 5.1. It's airing in 5.1 on MC and Adrenaline Drive, but not on MCHD. That just sucks! I recorded it hoping to really sit back and have a nice theatre experience. BAH! Last edited by 57; 2006-01-05 at 11:01 AM. |
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#2 | |
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Join Date: Mar 2004
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Too bad nobody at Movie Central is willing to take 5 minutes and contact the supplier and say "Send us the proper master with 5.1" Until the government monopoly on these channels is broken, we can expect to see quality-related problems like this since there's little disincentive when a channel like Movie Central drops the ball on something. |
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#3 |
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Join Date: May 2002
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Be aware that sometimes the studio will not send the DD5.1 HD version, even when MC/TMN requests it.
My contact at TMN-HD says they always request the OAR and DD5.1 version, but often cannot get it.
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#4 | |
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There's a hundred ways to deal with such a situation, and personally I'd love to be brought in to troubleshoot it. What I'd probably do is slip a clause in the agreement that says if the proper requested audio is not provided, then payment won't be either. After 2 or 3 times the studio realizes they aren't receiving payment due to the laziness of some worker, someone in the management structure will be held accountable. That person will either take steps to make sure it never happens again, or whomever replaces them will know that's the reason their predecessor was fired. Consumers can't just tell MC that "yeah I know you requested full payment this month but I'm going to send you some reduced version of my payment..." so why should MC be allowed to provide a half-*** version? And why should the studio be allowed to? It all comes down to accountability. A problem like this happens when 2 parties aren't held accountable (1-the studio for sending the wrong master and 2-MC for accepting the wrong master) |
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#5 |
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The studios originally had copyright concerns regarding HD video sent "off-shore" (Canada was so considered). Once we explained that we were not some third world country, they did start sending more and more DD5.1 HD movies.
Unfortunately we are such a small market that we have little leverage and if we don't want to play by "their" rules, then they'll simply not play...
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#6 | |
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I see this as a case of trying to invent a complex excuse for something that really doesn't deserve one. Furthermore, despite the nature of many Canadians' smug self-satisfied attitude towards Americans, there is no way we had to explain to them that we're not an off-shore third world country. Americans are far smarter than you give them credit for. And when it comes to this subject matter, Hollywood is acutely aware of Canada. I'm also going to ask you back up your claim that the studios would boycott Canada if we "don't wan't to play by their rules". Just tell us ONE (or more if know them) American studio release that hasn't come into Canada because of this. If you are indeed passing along the attitude of your friend at TMN, it perfectly explains why we continue getting slipshod service from them. If their own employees have pre-conceived notions that the problem can't be fixed, well it's no wonder the problem isn't being fixed. They obviously aren't even trying, having expended most of their effort coming up with creative excuses why such a simple problem is actually impossible to solve. |
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#7 |
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This issue has been discussed in several previous threads, some of which go back years. I have the following comments:
1. It's not speculation on my part - it is information that I received from a high level at TMN (Astral), granted that was a while ago, but it was reconfirmed relatively recently. I do not believe it was speculation on TMN's part since I have seen "changes" in the amount of HD and DD5.1 content as time has gone on and studios have become comfortable with "us". 2. It was not "US bashing". I was simply relaying information. 3. The US often supplies a different product to Canada - for example, the recent "Island" DVD didn't have a DD5.1 track for English...which they will rectify due to tremendous customer feedback. 4. Sometimes you'll see something similar in US channel programming where they will air a 16:9 HD movie, even though an OAR version of a 2.35:1 movie is available. 5. I'm not going to "fight" you on this. I was simply trying to pass on some information I thought you'd find useful.
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#8 |
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I'm not fighting either, just pointing out to the readers there are certain companies that put WAY more effort into excuse-finding than they do into solution-finding.
If influential people like yourself are content to sit back and be complacent, that helps make a totally unnecessary problem like this go on for several years as it has. The answer is as simple as a Fedex of the proper master from the source to Movie Central. It's a $20 fix! What's needed to get the $20 fix to happen is commitment and accountability on the part of Movie Central. As for the bashing, let me quote you: "Once we explained that we were not some third world country, they did start sending more and more DD5.1 HD movies." That is considered a bash to the 99.9% of Americans that know Canada is not an offshore third world country. |
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#9 | ||
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Join Date: Mar 2004
Location: Kitchener, ON (Rogers Customer)
Posts: 1,249
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I don't personally consider 57's comments US bashing in the least, it was a very accurate analogy of how certain US corporations view Canadian companies. I love America, and I love the contacts I have in America, but their view of Canada in general is misguided at best, and completely absurd at worst.
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#10 | ||
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I've been keeping a close eye on the HD movie scene in Canada for over two years and your comments do not hold true at least during the last 2+ years. Are you speaking about something prior to mid-2003? Is this 'very standard policy' documented somewhere? Just do a search on dhc and you'll find 57 commenting on HD films with 5.1 back in 2003. For myself, I personally recall some of the first HD films I saw in 2003 were Gangs of New York and View From the Top, both with 5.1 DD. Since then, the majority of HD films shown have been 5.1. It's for that reason that it stands out when MC blows it and broadcasts a DD 2.0 film instead. Are you suggesting that the US studios have been violating their own policy 85% of the time? Quote:
Besides, we're talking about 57 and his dealings with Hollywood studios. The film industry in Canada is a major issue with Hollywood, both from an economic standpoint and from a competitive standpoint. Half of Hollywood uses Canadian locations to save money and the other half decries filmmaking in Canada as a threat to their domestic film industry. But both halves are extremely well aware of our locations, seasons, weather, labor rates, tax incentives, and intellectual property laws. When I hear a claim tossed out that cable movie channel in Canada was the one to educate Hollywood that Canada is not a offshore third world country, well that is just not believable. But it does play into the "We're so much smarter than those dumb 'mericans" sentiment that you apparently agree with yourself. And in the end this myth allows TMN and MC an easy yet totally unverifiable excuse why they can't get their content right. I don't mean to come off strong here, but there's too many contradictions and holes in your theory. And unfortunately if no one challenges it, others will just keep repeating it making it that much harder for consumers to know the truth. |
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Join Date: Mar 2004
Location: Kitchener, ON (Rogers Customer)
Posts: 1,249
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Edit: Actually, I shouldn't call the people I talked with 'aquaintences', as I didn't have more than a passing conversation with them, and I wouldn't want to imply that I had any more inside information than 57 or anyone else, but it was definately stated that certain american studios as a general rule do not allow OAR 5.1 HD movies outside of the continental US. This is, however, changing, albeit a bit more slowly than one would like.
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Denon AVR-2807 | URC MX-650 Last edited by nathan; 2005-12-30 at 10:53 AM. |
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#12 | ||||||
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If indeed it's US citizens staffing the tech support, be aware that is often an extremely entry level job, often stationed in the poorest of communities and employing some of the country's least educated. It's not a true indicator of average US education levels. And steering this back on topic, you are claiming Hollywood executives are the ones that needed the geography and social studies lesson from 57 and his colleagues. Do you seriously think a studio executive who is responsible for international carriage agreements would have the same scope and level of knowledge about Canada's entertainment market as a Dell tech rep from Bangladesh? Quote:
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The movie business and technology are written about extensively, especially on the internet. Break out a search engine and you ought to be able to find dozens or hundreds of media sources that have mentioned this 'very standard policy' of supplying HD video OR audio, but not both. I'll settle if you can find even just one that's been verified according to typical standards of journalism. Quote:
57 is a respected and influential person in this subject arena. Typically if he says something, it will be repeated by dozens of people and newbies alike as Gospel. That's typically great and good information can be shared that way. But if he says something false, that false information will also be spread. This is not a question of opinion, but fact. Is there truly a policy at major Hollywood studios to distribute HD video but not 5.1 audio in Canada? The end result is people like you read it and assume it must be true. When challenged, such people invent all sorts of policies, theories, and back stories to explain the parts that crumble in the face of fact and logic. Without critical and factual analysis, TMN and MC can continue sloughing their duties because customers assume TMN would be perfect if not for the secret 'collective' working behind the scenes to degrade the quality of TV broadcasting in Canada. |
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#13 | ||||
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Join Date: Mar 2004
Location: Kitchener, ON (Rogers Customer)
Posts: 1,249
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There's obviously no arguing with you, since your argument is 'you don't know', when in fact, I do. As for the comment about newbies, I've been viewing this board since almost it's inception, been a member since March 2004, and have had my HDTV for about 5.5 years now. I don't generally spread what I hear from anyone as fact, and I'm certainly more than willing to admit when I'm wrong.
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#14 |
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I'd like to clarify a few things.
1. In the early days of TMN-HD, the only DD5.1 programmes we got on TMN-HD were either Canadian, or from HBO. I'm not going looking for the original post where this was documented, but that's the way it was. 2. I asked my senior contact at TMN-HD about this and we already know his explanation - the studios didn't trust "countries outside the US". Whether this is the ultimate truth or not, we'll probably never know, although my contact has been very trustworthy and worked tirelessly on our behalf when bandwidth was an issue on TMN-HD. He has also listened to us when we have requested OAR and DD5.1 and he states that their purchasing department has directives to "ask" for these, although they don't always "receive" what they ask for. BTW, these cost more, but TMN asks for them anyway. I know this because I brought up the issue of cost and my contact stated that cost was NOT the issue when we don't get DD5.1 movies (another reason I trust my source) 3. Interestingly, when we were not getting DD5.1 was around the same time that Canadian courts ruled that Canadians could download (music) without repercussions, while in the US, a similar court case went the other way. I don't recall the exact instances, however, it was well publicized in Canada and in the US. 4. I'm sorry I ever used the "third world country" phrase. I used it for "effect" and I, of course, realize that Americans don't think we are "third world", however, they do think of us as being quite different - more liberal, etc. This could lead to actions/directives by senior executives limiting what gets sent, especially originally. 5. As for the education of Americans, their eduction is often quite different from ours. They learn much more about the US and much less about the rest of the world and that is a simple fact. I'm not saying it's better or worse, but it is different.
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#15 | |
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What I'm not understanding is that if the studios don't trust HD/5.1 outside of USA, how do you explain how over three quarters of the movies on Movie Central are HD/5.1? It's been that way through much of 2004 and 2005, although I'd have to say 5.1 has increase from somewhere in the 70% range to the 80% range. Is there a policy or isn't there? It's almost sounding as if you, as a subscriber to TMN, are getting much less 5.1 content than I'm getting as a subscriber to MC. That is another factor strongly suggesting the 5.1 issue is NOT studio related, but rests with TMN/MC. How do explain that MC shows films in 5.1 that TMN shows in 2.0? Would the studio truly have a policy to give the 5.1 to MC but not to TMN? Based on what logic? I'm sure your contact is a decent and trustworthy individual, however it may be he's just repeating incorrect information and speculation the same way we all do. Nathan said "It was repeated by aquantences I used to have within Astral and Rogers", so by his own admission, he's gotten at best, third-hand. If there were any truth to it, some news or media source would have surely substantiated it in the past 5 years. But they haven't, and that's my point. I don't want to do the America vs Canada thing. It's clear I have a higher regard for American intelligence than you and Nathan, but that's down to opinion I suppose. On topic, the level of knowledge in question is that of studio executives with direct accountability for international film distribution. I contend that such individuals would most likely be extremely well aware of the geographic and social demographic differences between the two countries, if not by education but by virtue of the fact they are immersed in the subject matter 50 hours a week. You disagree? Last edited by 57; 2005-12-30 at 06:28 PM. |
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