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#31 |
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Join Date: May 2007
Location: B.C.
Posts: 500
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For that price I shipped it to the border, bought it through customs myself and paid GST/PST, no duty though it was made in China. It might have cost another 100 to get them to ship it to a Canadian address for you and do the brokerage.
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#32 | |
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Veteran
Join Date: Nov 2007
Location: Gatineau
Posts: 2,944
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#33 |
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Join Date: May 2007
Location: B.C.
Posts: 500
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I fail to see how predicting which companies will be around in 20 years is helpful or realistic here. Who would have predicted that B&K would have gone bankrupt recently? I can say that Emotiva, like Outlaw Audio and more e-tailers, has a successful business model that cuts out the middle man as it were, and delivers bang for the buck that brick and mortars can't match. They are a new sector of retailing that could be around in 30 years.
If I save 1000 bucks and the amp is still running in 14 or 15 years without repair( more than I can say for my old Luxman), is my savings somehow neutralized if the company isn't around that far down the road? I do know there is no way I'm going to spend 4-5000 to get a Bryston just because they offer a long warranty. |
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#34 |
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Veteran
Join Date: Jun 2002
Location: Edmonton
Posts: 1,800
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Of course another big disadvantage is that you don't get to see/hear the equipment against other brands.
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#35 | |
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Veteran
Join Date: Nov 2007
Location: Gatineau
Posts: 2,944
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runnin' my 20 years ''lasting'' comment was more about lifespan of the gear rather than if the company would still be around. You also have to keep in mind that China manufacturing is NOT geared for long lifespan but rather throw away technology. ùalso, note the joking portion of my response
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#36 |
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Veteran
Join Date: Jun 2002
Location: Edmonton
Posts: 1,800
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I think it depends more on if it's just some no name Chinese piece of junk versus Made in China or other offshore place by an established manufacturer since many of the top brands now have built there, even audiophile grade. As long as the manufacturer is controlling specs and build quantity, I don't think you can make as general a statement regarding Chinese product.
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#37 |
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Join Date: May 2007
Location: B.C.
Posts: 500
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I don't think B&M stores are going away, precisely because many consumers prefer them as they need the expertise a salesperson can offer, and the ability to compare brands in a sound room.
As for the Chinese manufacturing throwaway products, tell that to Parasound, Adcom, Sherbourn, NAD, etc. Guess where the new line of Anthem AVRs is made. It may have been the case 15 years ago, but not now. Most manufacturers have products or components in their products made there. Like Japan did, China has learned how to make quality. |
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#38 | |
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Veteran
Join Date: Feb 2009
Location: The Dandelion City
Posts: 7,133
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Quote:
With amps and receivers, you pretty much get what you pay for but there are exceptions. A big box store receiver that costs under $500 will probably have problems within 5 years. A high end unit costing more will likely beat that by a large margin. That is due to build quality. Good quality, conservatively rated components cost money as do extensive product testing and good engineering. OTOH, watch out for companies that sell over-hyped, overpriced products to audiophiles with lots of spare cash.
__________________
At 20 I had a good mind. At 40 I had money. At 60 I've lost my mind and my money. Oh, to be 20 again. --Scary |
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#39 |
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Rookie
Join Date: Dec 2008
Location: Toronto Ontario
Posts: 20
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I currently am using an Emotiva XPA-5 with a Integra DHC.80.1 processor.
I am quite happy with the Emotiva product. It runs cool and has great value for the money. I'm running their XLR balanced interconnect cables as well. I will say that dealing with Emotiva in Canada was quite easy. They handled brokerage charges and they double box their products. I personally prefer the sound of a class AB amp and Emotiva delivers for the money. I wish I had the money to support more Canadian products like my PSB's silver stratus's; unfortunately Classe and Bryston can't compete with cheap foreign labor. Welcome to Globalization and a world full of used heavy metals and cancer!: Just my 2 cents worth!!!! |
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#40 | |
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Join Date: Sep 2009
Location: Stone's throw from the Parliament
Posts: 218
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ScaryBob wrote:
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I bought the cheapest Pioneer AVR in 2002 with pre-outs, bought an Anthem MCA-50 in 2005 (replaced by four Emo amps in 2010), replaced AVR with Emo UMC-1 in 2010. Now I can buy the next Emo pre-pro XMC-1 at 40% discount (which I'm estimating will be US$600 after the discount). As for buying Canadian and local, believe me I tried and keep trying. Every time I want to upgrade something, I visit at least three local dealers and see what they have to offer. It's the reason why I considered Bryston and Anthem and bought an Anthem amp in 2005 even though these are more expensive. Okay, I have to admit, I haven't heard of Emo at that time but I knew about Outlaw Audio (same difference). What I like about all of these, is that I think quality music, notwithstanding MP3s, is now more accessible to average folks like me more than ever. And that's something I can be thankful for during this Thanksgiving day. |
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#41 |
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Moderator
Join Date: Feb 2004
Location: Vancouver, BC
Posts: 4,645
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Separates with a qualification: a good AVR is a good pre-pro. The whole purpose of a three-channel amp as contemplated by the OP is to use it to power the front soundstage (L/R/C). An AVR would be necessary to power the surround channels.
The other point I'd make is, in terms of features and value, you might be hard pressed to find a true pre-amp that's a better bet than a good AVR. |
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#42 | |
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Veteran
Join Date: Nov 2007
Location: Gatineau
Posts: 2,944
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#43 |
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Moderator
Join Date: Feb 2004
Location: Vancouver, BC
Posts: 4,645
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TK, I am responding to the original poster and his situation. I am not arguing that a good stereo separates will outperform the configurations we're talking about, just keeping the discussion on topic as it relates to the OP.
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#44 | |
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Veteran
Join Date: Nov 2007
Location: Gatineau
Posts: 2,944
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Quote:
To go back to the OP, the quality of the separate amp is also a compromise. Usually the use of a dedicated amp for the front stage (LCR) is good solution to help mimise the compromise especially if one uses is system in a multi purpose system such as audio. Thus the reason for debating the choice of Emo to accomplish the task. I understand the fact that middle man is being avoide thus providing some savings however, I might question how low the saving would be without neglecting the quality and SQ output of such amp? |
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#45 |
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Join Date: May 2007
Location: B.C.
Posts: 500
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The quality and SQ of Emotiva amps has been explored through reviews at sites like audioholics and secrets of home theater. When I got my amp, I found it to be superior in sound to my Adcom, and I've read where others have found their Emotiva amp to be superior in SQ to Rotel.
But like I said before, Emotiva is not for everyone, and some like you, technokid, obviously would never buy one for the assorted concerns you've raised above. But for 2 grand or so, I'm sure a 3 channel amp can be found in Canada. |
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